Showing posts from December 24, 2018

Arulnithi-Shraddha Srinath film wraps up

A perfect planning and neat execution are  essential factors contributing towards the completion of projects on time. SP Cinemas' “Production No.2” has absolutely found its way towards completion of its shooting now. Featuring Arulnithi and Shraddha Srinath in lead roles, the shoot went on floors a few months ago with a simple ritual. Now with the shoot being wrapped up, the post-production work is happening at a brisk pace. The makers of this film are planning to release the title and first look in days to come. With both the lead actors - Arulnithi and Shraddha Srinath always keen on choosing  unique scripts, looks like “Production No.2” would have  something interesting to offer. The film is directed by Barath Neelakantan with Aravinnd Singh behind the lens and Darbuka Siva is composing music for this film with Ruben taking care of the cuts. Lead Actors           : Arulnithi, Shraddha Srinath, Yogi babu, Gayathrie,Ramesh Thilak, ‘Yerumai Sani’ Vijay, ‘K

KGF visuals get kudos

The Yash starrer KGF chaper 1 is roaring towards success in Pan Indian languages. Screens are being increased in many centres due to popular demand.The visuals of the film are a major highlight. Captured by the cameraman Bhuvan Gowda, directed by Prashant Neel, the smoke, haze, black and grey tones and sandy storms give viewers an idea of the terrible conditions the slave labour had to work in, in the gold mines  in the film.  In interviews to media, cameraman Bhuvan  Gowda revealed how hard the team had to work,  "Every shot of KGF was captured with a shoulder-held camera. While many prefer using steady cameras, neither the director nor I was keen on it. I risked carrying the heavy camera on my shoulders, but that helped in getting some hazy shots, which were required for the film. There were times I used to run with the camera on my shoulders. During lengthy shots, I even developed wounds, but the pain was worth it." Drones were also used extensively by him.  G